Jos de Mul. Echo's Van Een Laatste God. In Idolen En Demonen, red. Linda Jansen and Nanda Oudejans, Tilburg: Universiteit van Tilburg, 2004, 134-50.

Jos de Mul. Tragisch bestuur en romantisch besturen. In: V. Bekkers en J. van Wamelen (red.), Openingsbijeenkomst Center for Public Innovation. Rotterdam, 2005, 43-48.

Jos de Mul. The game of life. Narrative and ludic identity formation in computer games. In: J. Goldstein and J. Raessens,Handbook of Computer Games Studies. Cambridge MA (MIT Press), 2005, 251-266.

Human identity is not a self-contained entity, hidden in the depths of our inner self, but is actively constructed in a social world with the aid of various expressions, such as social roles, rituals, clothes, music, and (life) stories. These expressions not only mediate between us and our world (referentiality) and between us and our fellow man (communicability), but also between us and ourselves (self-understanding). Consequently, changes in these mediating structures reflect changes in the relationship between us and our world, in our social relationships, and in our self-conception.

In recent decades the domain of expressions has been (massively1) extended by computer games and, as a result, we witness the emergence of a new tool for identity formation. In this chapter I shall examine the way computer games construct our identity in comparison with traditional narrative media, such as novels and movies. My investigation is primarily philosophical: it aims at a conceptual clarification of the relationship between ( playing) computer games and human identity. However, though this study is not empirical, one of its aims is to contribute to the theoretical framework for empirical research in this field. The theoretical starting point of my investigation is Ricoeur’s theory of narrative identity. I will argue that this theory provides a fruitful conceptual framework for understanding the way playing computer games construct personal identity. However, because his theory exclusively focuses on standard linguistic narratives, we will have to amend this theory in order to apply it within the domain of computer games.

I will develop the argument in three sections, starting with a short analysis of the concept of identity. Against this background, I explain Ricoeur’s theory of narrative identity and discuss some constraints that prevent its application to computer games. In the next section, after a short analysis of the concepts of play, game, and computer game, I discuss the narrative dimension of computer games and the interactive dimension that distinguish computer games fundamentally from narratives. Then I present an outline of a theory of ludic identity, and discuss the transformation in our present culture from narrative to ludic identity construction. Finally, I formulate some aspects of this transformation that are crucial for its evaluation.

Jos de Mul. Vergankelijkheid en verdubbeling. In: Red. Erwin Jans, Margo de Poel, Bart Vieveen en Linda Haest (red.). Op zoek naar de verloren tijd. Proust 4: De kant van Marcel, Rotterdam: RO Theater Uitgeverij IT&FB, 2004, 108-114.

Jos de Mul. Tragische technologieën In: Red. P. Vanden Berghe, W. Lemmens en J. Taels (red.), 'Tragisch'. Over tragedie en ethiek in de 21e eeuw, Budel: Damon, 87-119.

Jos de Mul. 文化碰撞与后历史意识 [ Intercultural Vibrations and Post-Historical Sensations. Pre-Modern, Modern, and Post-Modern Traditions in the Age of Globalisation.] In: 美与當代生活方式 : "美与當代生活方式"國際學朮討論會論文集 陳望衡主編.

Jos de Mul. Post history. In: Next nature. Amsterdam: BIS Publishers, 2005, p.120-126.


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