Jos de Mul. Possible printings. On 3D printing, database ontology and open (meta)design. In: B. van den Berg, S. van der Hof & E. Kosta (eds.) 3D Printing: Legal, Philosophical and Economic Dimensions - Information Technology and Law Series. The Hague: T.M.C. Asser Press, 2016, 87-98.

3D printing can be approached from a number of different disciplinary angels, as it has possible implications for a great variety of human practices, ranging from the organization of economic production to the domain of legal and regulatory issues. In my talk I will focus on 3D printing from yet another angle: design, more particularly the perspective of open design. In Fabricated: The New World of 3D Printing, Lipson and Kurman claim no less than that 3D will  cause “a revolution in the way we make and design things, because of the close connection between the software design of an object […] and its physical manifestation”.[2] Although we should be somewhat skeptical when the word “revolution” in the often hyperbolic discourse on information and communication technologies, it is obvious that 3D printing has the potential to bring about important changes in many domains, including the  world of design. Especially because of its open character, 3D printing challenges traditional design practices. In this chapter, I will investigate some of the implications of the database ontology, which characterizes the open design of 3D printing.

In the announcement of the 2010 Amsterdam conference Redesigning Design, which was organized by Creative Commons Netherlands, Premsela, Dutch Platform for Design and Fashion, and Waag Society, and which resulted in the book Open Design Now. Why design cannot remain exclusive[3]  the present situation in the world of design was described as follows:  “The design industry is going through fundamental changes. Open design, downloadable design and distributed design democratize the design industry, and imply that anyone can be a designer or a producer”. The subtext of this message seems to be that open design - for reasons of brevity I will use this term as an umbrella for the aforementioned developments, thus including downloadable, distributed design and the possibility to  recombine modules to personalized designs and to 3D print them at home or in a specialized shop around the corner– is something intrinsically good, something we should promote. Though my general attitude towards open design is a positive one, I think we should keep an open eye for the obstacles and pitfalls, in order to avoid that we will throw out the designer baby along with the bath water.

This chapter consists of three sections. First I will present a short sketch of open design. As this concept has quite some different connotations and, for that reason, is prone to conceptual confusion, it might be useful to illuminate this tag cloud of connotations. In this first part, I will also summarize some of the objections that can be (and has been) directed against open design.

Jos de Mul. Human Nature after Neo-Darwinism. Lecture and Seminar with prof. Jos de Mul. Radboud University, Erasmus Building E3.12. February 15, 16:00-17.30. 

Contact

Email Dit e-mailadres wordt beveiligd tegen spambots. JavaScript dient ingeschakeld te zijn om het te bekijken.

Jos de Mul. Database Identity: between construction and control. Invited lecture at the 1st Thinkers’ Summit of Translingual Communication on Life: Data, Symbol and Wisdom. Beijing: Department of Journalism and Communication. Beijing University, January 10-11, 2016.

Jos de Mul. Encyclopedias, hive minds and global brains. A cognitive evolutionary account of Wikipedia. Invited lecture at the Being Forum 2015. Beijing: Beijing University, November 7, 2015.

The Beijing Forum, initiated in 2004, is an annual event placed under the auspices of the Beijing Municipal Government. It is endorsed by the State Council and the Ministry of Education of the People’s Republic of China, and co-sponsored by Peking University, the Beijing Municipal Commission of Education, and the Korea Foundation for Advanced Studies. The November 2015 edition will mark its twelfth successful session.

The Beijing Forum, organized by Peking University, encourages the study of the humanities and social sciences in the Asia-Pacific region. It aims to facilitate international academic exchanges and trans-cultural discussions in order to foster social development, harmony between civilizations, and greater prosperity for mankind.

Held annually in Beijing, a city with a deep cultural tradition, the forum is an international academic event that advocates civilizational harmony, It brings together the world’s most eminent thinkers in order to stimulate the academic and cultural exchanges that are crucial for world peace and social progress. During the past years, the Beijing Forum has gathered a wealth of invaluable suggestions and insights that has helped generate outstanding academic advancement in the Asia Pacific region and around the world. The 2015 annual conference will uphold the Beijing Forum’s reputation, developed over the last decade, as one of the leading academic forums in the world.

Jos de Mul, Human Nature after Neo-Darwinism. Keynote lecture at the Conference Human Nature. Human Philosophy Project. Oxford University & University of Warsaw. Warsaw: September 24, 2015.

On the 24th-26th of September, 2015 the Humane Philosophy Project, in collaboration with the Institute of Philosophy, University of Warsaw, the Dalai Lama Centre for Compassion, and the Ian Ramsey Centre for Science and Religion will hold a three day conference on the theme 'Human Nature'.

This event will take place at the central campus of the University of Warsaw.

A call for papers can be viewed here.

Jos de Mul, Database Identity: Personal and Cultural Identity in the Age of Global Datafication. in: Wouter de Been, Payal Aurora and Mireille Hildebrandt (Eds.), Crossroads in New Media, Identity and Law. The Shape of Diversity to Come. Personal and Cultural Identity in the Age of Global Datafication. Basingstoke/New York: Palgrave Macmillan, 2015, 97-118. 

This volume brings together a number of timely contributions at the nexus of new media, politics and law. The central intuition that ties these essays together is that information and communication technology, cultural identity, and legal and political institutions are spheres that co-evolve and interpenetrate in myriad ways. Discussing these shifting relationships, the contributions all probe the question of what shape diversity will take as a result of the changes in the way we communicate and spread information: that is, are we heading to the disintegration and fragmentation of national and cultural identity, or is society moving towards more consolidation, standardization and centralization at a transnational level? In an age of digitization and globalization, this book addresses the question of whether this calls for a new civility fit for the 21st century.

Jos de Mul, to begin with, takes the issue of identity head-on in his contribution. He argues that new networked communication technologies are leading to a datafication of identity. New ICTs are transforming traditional ‘narrative identity’ into a more plastic form of ‘database identity.’ Identity as the product of a linear development, as an outgrowth of a particular personal or group history – the bread and butter of the imagined community – is on the wane. Increasingly identity is broken up into machine-readable elements and stored in digital memory banks. This allows for an endless combination and re-combination of features. By itself this process does not necessarily result in a world of freedom and play, however. Although database identities allow for an extraordinary range of choice and are well suited to the freedom and flexibility of postmodern culture, there is a great deal of uniformity in the forms that database identities actually take. Hence, De Mul also addresses the standardization of identity in the prefabricated formats of social media, underlining the new entrapments of the digital age.

Jos de Mul. NextNature. Sublime natural and technological landscapes. Invited lecture at the Department of Urban Design. Wuhan University. Wuhan, May 24, 2015.

The development of the representation of the landscape in Europe since the 14^th century Renaissance can be understood as a mirror of the development of modern and postmodern Western culture as a whole. After sketching the development of landscape representation in modern and postmodern Europe, the article focuses on the theme of sublimity, which, at least since the era of Romanticism, has been inherent to the European experience and representation of the landscape, both in its successive natural and in its technological manifestation. Against this background, the paper also discusses some striking differences between the European and the Asian landscape.

Jos de Mul. Earth Garden. Not going back, but going forward to nature. Invited lecture at International Conference Environmental Aesthetics & Beautiful China. Wuhan: University of Wuhan, May 21, 2015.

Abstract Against the background of a short meditation on the contrasting ways in which landscape has been represented and idealized in Eastern and Western painting traditions, the article will try to show, using some striking examples, that the development of landscape painting in the last two centuries reflects the changing relationship of humanity and nature, leading in both the East and in the West to either the expression of a nostalgic longing for nature to be back as it once was, or to a gloomy expression of the vanishing of nature amidst the modern, technological world. Connecting to both the concept of “harmony,” which is a key concept in Eastern aesthetics, and to some recent reflections in Western philosophy on the relationship of nature and technology, a post-nostalgic conception of nature and natural beauty is defended, in which nature and technology are no longer seen as opposing categories, but rather as poles that are intertwined in an ever-lasting process of co-evolution. It is argued that we should not so much strive to go “back to nature,” but rather to go “forward to nature” and establish a new harmony between human and non-human nature and technology. The article ends with some reflections on the role aestheticians may play in this transformation.

Published as:Jos de Mul. The Earth Garden: Going Back or Going Forward to Nature? Frontiers of Philosophy in China. Vol.12 (2017) 2: 237-248.

Jos de Mul. The Game of Life: Narrative and Ludic Identity Formation in Computer Games.  In: Lori Way (ed.), Representations of Internarrative Identity. New York: Palgrave Macmillan, 2015.

Representations of Internarrative Identity is based upon Ajit Maan's breakthrough theory of Internarrative Identity, which deals with one's sense of self as expressed in personal narrative, connecting the formation of identity with life experiences. This book is the first extensive examination of the adaptive qualities of Maan's work within diverse areas of scholarship and practice, including cultural studies, gender studies, computer gaming, and veterinary medicine. United by their research application of Maan's theory, these scholars demonstrate the far-reaching implications of Internarrative Identity.

Jos de Mul. The biotechnological sublime. Research Seminar Dutch Research School of Philosophy. Utrecht University, October 31, 2014.

State of the Art Aesthetics (2014) – OZSW and UU Graduate Course

Invitation / Call for applications

The Dutch Research School of Philosophy (OZSW) and Utrecht University invite PhD students/ PhD and ReMa students in philosophy to register for the course “State of the Art Aesthetics” to take place in Autumn 2014. There will be room for approx. 25 students.

Dates of course:               24 and 31 October, 14, 21, 28 November 2014 (5 Fridays)
Location:                            Utrecht University, Kromme Nieuwegracht 80, Van Ravensteijnzaal
Application deadline:          Friday 15 September 2014 (registration form for this course)

About the topic

Art is a practice deemed central to modern culture, but how is its importance to be conceptualised? The course presents a survey of approaches in philosophical aesthetics, by specialists in the field. All speakers presents their own approach as explicitly as possible: their philosophical tradition and methodology. The traditions may or may not intermingle in the course.

The subjects of the lectures present the contemporary debates, and range from questions about the philosophical discipline as a whole, and art as a practice, to questions about specific fields of application, such as particular art forms or aesthetic phenomena.