Breng mij die horizon! Filosofische reisverhalen

Breng mij die horizon! Filosofische reisverhalen

Jos de Mul. Breng me die horizon! Filosofische reisverhalen. Amsterdam: Boom, 2019.  Breng mij die horizon! laat zien wat er gebeurt…

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De domesticatie van het noodlot. De wedergeboorte van de tragedie uit de geest van de technologie

De domesticatie van het noodlot. De wedergeboorte van de tragedie uit de geest van de technologie

Jos de Mul. De domesticatie van het noodlot. De wedergeboorte van de tragedie uit de geest van de technologie. Rotterdam: Lemniscaat,…

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Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology

Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology

Jos de Mul. Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology. State University of New York (SUNY)…

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命运的驯化——悲剧重生于技术精神 内容简介 (Chinese translation of Destiny Domesticated\)

命运的驯化——悲剧重生于技术精神 内容简介 (Chinese translation of Destiny Domesticated\)

Jos de Mul. 命运的驯化——悲剧重生于技术精神 内容简介 (Chinese translation of Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology). Guilin:…

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Romantic Desire in (Post)Modern Art and Philosophy

Romantic Desire in (Post)Modern Art and Philosophy

Jos de Mul. Romantic Desire in (Post)Modern Art and Philosophy. Albany: State University of New York Press, 1999, 316 p.…

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Het romantische verlangen in (post)moderne kunst en filosofie

Het romantische verlangen in (post)moderne kunst en filosofie

Jos de Mul. Het romantische verlangen in (post)moderne kunst en filosofie. Uitgeverij Klement, 2007 (4de druk), 284 p. 1de druk, 1990; 2de druk, 1991; 3de…

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后)现代艺术与哲学中的浪漫之欲。Chinese translation of Romantic Desire in (Post)Modern Art and Philosophy

后)现代艺术与哲学中的浪漫之欲。Chinese translation of Romantic Desire in (Post)Modern Art and Philosophy

Jos de Mul. 后)现代艺术与哲学中的浪漫之欲。Chinese translation of Romantic Desire in (Post)Modern Art and Philosophy. Wuhan: Wuhan University Press, 2010, 306p. ISBN 978-7-307-08019-5RMB…

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Cyberspace Odyssee

Cyberspace Odyssee

Jos de Mul. Cyberspace Odyssee. Kampen: Klement, 6de druk: 2010, 352 p. 1de druk, 2002; 2de druk, 2003; 3de druk,2004;…

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Cyberspace Odyssey. Towards a Virtual Ontology and Anthropology

Cyberspace Odyssey. Towards a Virtual Ontology and Anthropology

Jos de Mul. Cyberspace Odyssey. Towards a Virtual Ontology and Anthropology. Castle upon Tyne: Cambridge Scholars Publishing, 2010, 334 p. Translation of Cyberspace…

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Siberuzayda macera dolu bir yolculuk. Sanal bir ontoloji ve antropolojiye doğru

Siberuzayda macera dolu bir yolculuk. Sanal bir ontoloji ve antropolojiye doğru

Jos de Mul. Siberuzayda macera dolu bir yolculuk. Sanal bir ontoloji ve antropolojiye doğru. Istanbul: Kitap Yayinevi, 2008, 400 p. Turkish…

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The sovereign debt crisis or Sophie’s choice. On European tragedies, guilt and responsibility

The sovereign debt crisis or Sophie’s choice. On European tragedies, guilt and responsibility

Liesbeth Noordegraaf-Eelens and Jos de Mul, The sovereign debt crisis or Sophie’s choice. On European tragedies, guilt and responsibility. Heinrich…

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Paniek in de Polder. Polytiek in tijden van populisme

Paniek in de Polder. Polytiek in tijden van populisme

Jos de Mul. Paniek in de Polder. Polytiek in tijden van populisme. Rotterdam: Lemniscaat, februari 2017. Uitgebreide en geactualiseerde editie…

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Horizons of Hermeneutics

Horizons of Hermeneutics

Jos de Mul. Horizons of Hermeneutics: Intercultural Hermeneutics in a Globalizing World.  Frontiers of Philosophy in China. Vol. 6, No.…

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The game of life

The game of life

Jos de Mul. The Game of Life: Narrative and Ludic Identity Formation in Computer Games.  In: Lori Way (ed.), Representations of…

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PedoBot® is niet boos, maar wel verdrietig (en soms opgewonden)

PedoBot® is niet boos, maar wel verdrietig (en soms opgewonden)

Jos de Mul. PedoBot® is niet boos, maar wel verdrietig (en soms opgewonden). Over intelligente robots, emoties en sociale interactie.…

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Kunstmatig van nature. Onderweg naar Homo sapiens 3.0

Kunstmatig van nature. Onderweg naar Homo sapiens 3.0

Jos de Mul, Kunstmatig van nature. Onderweg naar Homo sapiens 3.0.  Rotterdam: Lemiscaat: 2016. ISBN 978 90 477 0925 1…

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2017-11-25 (Trouw) Hoe ik bijna boeddhist werd

2017-11-25 (Trouw) Hoe ik bijna boeddhist werd

Jos de Mul. Hoe ik bijna boeddhist werd. Trouw. Bijlage Letter en Geest, 25 november 2017, 14-18. Het gastenverblijf van…

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The Tragedy of Finitude. Dilthey's Hermeneutics of Life

The Tragedy of Finitude. Dilthey's Hermeneutics of Life

Jos de Mul. The Tragedy of Finitude. Dilthey's Hermeneutics of Life. New Haven: Yale University Press, 2010 (second edition - eBook), 424…

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Wittgenstein 2.0. Philosophical reading and writing after the mediatic turn

Wittgenstein 2.0. Philosophical reading and writing after the mediatic turn

Jos de Mul. Wittgenstein 2.0: Philosophical reading and writing after the mediatic turn. In: A. Pichler & H. Hrachovec (eds.) Wittgenstein and…

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Plessner's Philosophical Anthropology. Perspectives and Prospects

Plessner's Philosophical Anthropology. Perspectives and Prospects

Jos de Mul. ( ed.), Plessner's Philosophical Anthropology. Perspectives and Prospects. Amsterdam/Chicago: Amsterdam University Press/Chicago University Press, 2014. Helmut Plessner (1892–1985)…

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2016-08-20 (Vrij Nederland) In Japan heeft Erica een ziel

2016-08-20 (Vrij Nederland) In Japan heeft Erica een ziel

Jos de Mul. In Japan heeft Erica een ziel. Vrij Nederland, 20 augustus 2016, 41-45. Kansai Science City doet op…

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Outside of a dog, a book is man's best friend. Inside of a dog it's too dark to read.

Outside of a dog, a book is man's best friend. Inside of a dog it's too dark to read.

Marxism according to Groucho     "Outside of a dog, a book is man's best friend. Inside of a dog…

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Noble versus Dawkins. DNA Is not the program of the concert of life.

Noble versus Dawkins. DNA Is not the program of the concert of life.

Jos de Mul. Noble versus Dawkins. DNA Is not the program of the concert of life. Translation of Dutch review, published…

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The game of life. Narrative and ludic identity formation in computer games

The game of life. Narrative and ludic identity formation in computer games

Jos de Mul. The game of life. Narrative and ludic identity formation in computer games. In: J. Goldstein and J. Raessens,Handbook…

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序言 约斯·德·穆尔 In: Zha Changping. World Relational Aesthetics. A History of Ideas in Pioneering Contemporary Chinese Art

序言 约斯·德·穆尔 In: Zha Changping. World Relational Aesthetics. A History of Ideas in Pioneering Contemporary Chinese Art

序言 约斯·德·穆尔. In: Zha Changping. World Relational Aesthetics. A History of Ideas in Pioneering Contemporary Chinese Art. Volume One. Shanghai:…

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The Work of Art in the Age of Digital Recombination

The Work of Art in the Age of Digital Recombination

Jos de Mul. The work of art in the age of digital recombination. In J. Raessens, M. Schäfer, M. v. d.…

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De onbarmhartige Kunneman. Meervoudig onbegrip

Jos de Mul. De onbarmhartige Kunneman. Meervoudig onbegrip. Krisis. Tijdschrift voor actuele filosofie 2006, Jrg.7, nr.3, 74-79.

从叙事的到超媒体的同一性——在游戏机时代解读狄尔泰和利科 [From narrative to hypermedial Identity. Reading Dilthey and Ricoeur in the Age of Sony Playstation]

Jos de Mul. 从叙事的到超媒体的同一性——在游戏机时代解读狄尔泰和利科 [From narrative to hypermedial Identity. Reading Dilthey and Ricoeur in the Age of Sony Playstation]. Academic Monthly 38 (5) 2006, 29-36.

From Mobile Ontologies to Mobile Aesthetics

Jos de Mul. From Mobile Ontologies to Mobile Aesthetics. In: Contemporary Aesthetics. Special Volume I: Aesthetics and Mobility. 2005, 12 p.


From Mobile Ontologies to Mobile Aesthetics


Abstract
We are living in a globalizing world, characterized by constant and rapid innovation. As we are inclined to go with this flow and its accompanying discourse of mobility, there is a danger that we overlook the persistence of cultural traditions. However, this paper argues that important differences exist between pre-modern, modern and post-modern traditions with regard to the form mobility takes. After a short discussion of the role information and communication technologies play in post-modern traditions, it is argued that these technologies transform our world, and not only our electronic files, into a global database and, as a consequence, generate a mobile stream of post-historic phenomena. In the conclusion some implications of the presented "database ontology" for the arts and aesthetic theory are discussed.

Key Words
cultural traditions, information and communication technologies, mobility, pre-modern, modern and post-modern traditions, post-history

Transhumanisme - de convergentie van evolutie, humanisme en informatietechnologie

Jos de Mul. Transhumanisme - de convergentie van evolutie, humanisme en informatietechnologie. Tydskrif vir Geesteswetenskappe. Vol. 45, no. 2, 159-176.

Delirium en catharsis in de romanwereld van W.F. Hermans

Jos de Mul. Delirium en catharsis in de romanwereld van W.F. Hermans. In: De Gids. (November 2005), 997-1011.

Publish and perish!

Jos de Mul. Publish and perish! Tijdschrift voor Filosofie. Jaargang 68, 2005, 417-434.

From Odyssey to cyberpunk. Literary exploration of space vs. spatial exploration of literature

Jos de Mul. From Odyssey to cyberpunk. Literary exploration of space vs. spatial exploration of literature. XPONIKA AIΣΘHTIKHΣ/ Annales d'esthetique / Annals for Aesthetics, Vol.42, 2004: 111-127.

Hegel, Heidegger, Adorno and the Ends of Art

Jos de Mul. Hegel, Heidegger, Adorno and the Ends of Art. In: Dialogue and Universalism, Vol.XIII, no.11-12, 23-41.

Digitally mediated (dis)embodiment. Plessner's concept of excentric positionality explained for Cyborgs

Jos de Mul. Digitally mediated (dis)embodiment. Plessner's concept of excentric positionality explained for Cyborgs. Information, Communication & Society, Volume 6, no.2 (2003) 247-265.

Das Schauspiel des Lebens

Jos de Mul. Das Schauspiel des Lebens. Dilthey and the historical biography. In: Revue Internationale de Philosophie, (2003), no.2, 99-116.

Das Schauspiel des Lebens. Wilhelm Dilthey and historical biography
 

"Uber den wissenschaftlichen Charakter der Biographie sind die Ansichten der Historiker geteilt." [1]

These words, written by Wilhelm Dilthey about a hundred years ago, are just as true today as they were then. As in Dilthey's time, many historians still deny that the historical biography is scientific in nature, because of its narrative and literary character. It isn't without irony that authors of literary fiction, conversely, often doubt the literary character of historical biographies because they are not entirely a work of imagination. One might say that historical biography is situated in a no-man's land between art and science.

In order to understand the discussion concerning the status of the historical biography, we have to view it within the broader context of the debate on the status of historiography. This debate has accompanied modern historiography from its birth in the early nineteenth century. Before then the question concerning the relationship between the artistic and scientific dimension of historiography virtually played no role. The reason for this was that before the nineteenth century these two dimensions could barely be distinguished. The word 'novel' not only referred to Active stories, but also to the kind of stories we nowadays call historical narratives. However, under the influence of rationalism and empiricism, literature and historiography gradually became different autonomous genres. The emergence of the modern discipline of historiography was at least partly motivated by the presupposition that knowledge only deserves this title when it is rationally and empirically tested and attains a certain level of certainty.[2] These requirements were inspired by the impressive success the natural sciences and the new technologies connected with them had had since Newton. Based on the discovery of causal relationships in nature, these sciences were not only able to explain natural phenomena, but to predict and to control them, as well. As a result, the objectivity of the natural sciences increasingly began to function as an ideal for all sciences. After the middle of the nineteenth century, the ideal of a 'unified science' became an integral part of the repertoire of (neo)positivist scientists and philosophers.

Het eind van het einde. Enkele reflecties op het posthistorische karakter van de informatietechnologie

Jos de Mul. Het eind van het einde. Enkele reflecties op het posthistorische karakter van de informatietechnologie. In: Informatie professional. Jaargang 6, nr. 2, 28-31.

Digital Dasein. Towards an ontology of virtual worlds (Korean language)

Jos de Mul. (in Korean. English title: Digital Dasein. Towards an ontology of virtual worlds). Art Magazine Wolgan Misool (Seoul) 2002 (February issue):110-113.

Hegel, Heidegger, Adorno in konci umetnosti

Jos de Mul. Hegel, Heidegger, Adorno in konci umetnosti (in Slovenian). Filosofsji Vestnik.Vol. XXIII, no. 1, 103-136.

Transhumanismo. La convergencia de evolutión, humanismo y tecnologia de la información

Jos de Mul. Transhumanismo. La convergencia de evolutión, humanismo y tecnologia de la información (in Spanish), Arquitectonics (Edicions UPC), 2001

The Informatization of the worldview

Jos de Mul. The Informatization of the worldview. In: Information, Communication & Society. Vol. 2, no. 1 (1999),69-94.

Abstract

The development of information and communication technology in the second half of the twentieth century in crucial respects resembles the development of mechanics in the sixteenth and seventeenth century as it has been described by Dijksterhuis in his study The Mechanization of the World Picture. In both cases specific technological developments not only lead to important changes in the natural and human sciences, but also profoundly affect culture as a whole and eventually result in a fundamental change in worldview. In this article the author attempts to elucidate the present ‘informatization of the worldview’ in a twofold way. On the one hand, against the background of Dijksterhuis’ analysis of the concept of mèchanè, a clarification is given of the concept of information, which has become central to many sciences in the last decades. It is argued that much of the confusion and misuse that surrounds (the application of) this concept can be reduced by making a careful distinction between the pragmatic, semantic and syntactic dimensions of information. Next, on basis of this clarification, the author discusses the transformation from a mechanistic to an informationistic worldview. Whereas the mechanistic worldview is characterized by the postulates of analyzability, lawfulness and controllability, the informationistic worldview is characterized by the postulates of synthetizability, programmability and manipulability. It is argued that although the informationistic worldview in some respects (for instance it its mathematical orientation) is clearly a continuation of the mechanistic worldview, in other respects it fundamentally alters human experience and the evaluation of, and association with reality.

Rzeczywistość wirtualna - pomiędzy technologią, ontologią a sztuką

Jos de Mul. Rzeczywistość wirtualna - pomiędzy technologią, ontologią a sztuką. Przeł. M. Michałowska, Kultura Współczesna1999, nr 3, 13-14.

Tragisch ouderschap en de attitude van de ouderbegeleider

Gerry van den Broek en Jos de Mul. Tragisch ouderschap en de attitude van de ouderbegeleider. In: Systeemtherapie.Jrg.10, no. 2 (1998), 90-100.

De politieke impact van de informatietechnologie

P.H.A. Frissen en Jos de Mul. De politieke impact van de informatietechnologie. In: Noot, nr. 5 (1998): 3-5.

The Digitalization of the World View. The End of Photography and the Return of the Aura

Jos de Mul. The Digitalization of the World View. The End of Photography and the Return of the Aura. In: The Photographic Paradigm. Lier en Boog: Series of Philosophy of Art and Art Theory 12 (1997), Amsterdam/Atlanta 1997, 44-56.

Dilthey

Jos de Mul. Dilthey. Kritisch denkerslexicon. Aflevering 23. Houten (Bohn Stafleu Van Loghum). 1997, 1-16.

De informatisering van het wereldbeeld

Jos de Mul. De informatisering van het wereldbeeld. Erasmus Magazine, 13 november 1997, 19-22.

Disavowal and Representation in Magritte's La Trahion des Images

Jos de Mul. Disavowal and Representation in Magritte's La Trahion des Images. In: Filozofski vestnik, Vol. XVII, 1no. (1996), 107-126.

Digitale media en cognitieve structuur

Jos de Mul. Digitale media en cognitieve structuur. In: Rekenschap. Tijdschrift voor Wetenschap en Cultuur. Juni 1996, 97-105.

Die Fortgang über Kant. Dilthey and the Transformation of Transcendental Philosophy

Jos de Mul. Die Fortgang über Kant. Dilthey and the Transformation of Transcendental Philosophy. In: Dilthey-Jahrbuch für die Geisteswissenschaften, No. 10 (1996), 80-103.

Camp of de emancipatie van de kitsch

Jos de Mul. Camp of de emancipatie van de kitsch. In: Tmesis. Cahier voor Cultuur, nr 8 (1996), 122-131.

Over de noodzaak van de geschiedsfilosofie

Jos de Mul. Over de noodzaak van de geschiedsfilosofie. In: De Uil van Minerva. Tijdschrift voor Geschiedenis en Wijsbegeerte van de Cultuur, Jrg.11, nr.4 (1995), 261-266.

Modale fotografie

Jos de Mul. Modale fotografie. In: Fotonet. Tijdschrift van het Nederlands Foto Instituut (November 1995), 16-19.

Kubistische klanken. De tijdsopvatting in het werk van de Amerikaanse componist Elliot Carter (3)

Jos de Mul. Kubistische klanken. De tijdsopvatting in het werk van de Amerikaanse componist Elliot Carter (3), in: Mens en melodie, jrg. 49 (Januari 1994', 40-43.

Dichter op de divan. De psychoanalytische esthetica van Freud

Jos de Mul. Dichter op de divan. De psychoanalytische esthetica van Freud. In: Filosofie en kunst 2. Esthetica in de twintigste eeuw: Een andere Verstandhouding, Rotterdamse Filosofische Studies XVII, Rotterdam 1994, 43-58.

De veelzijdige waarheid van Hegels these over het einde van de kunst

Jos de Mul. De veelzijdige waarheid van Hegels these over het einde van de kunst. In: Onyx. Tijdschrift van de Faculteit der Wijsbegeerte Rotterdam (Zomer 1993), 8-16.

Bevroren architectuur. De tijdsopvatting in het werk van de Amerikaanse componist Elliot Carter (1)

Jos de Mul. Bevroren architectuur. De tijdsopvatting in het werk van de Amerikaanse componist Elliot Carter (1), in: Mens en melodie, jrg. 48, (Oktober 1993), 548-553.

Het temporele sanatorium. De tijdsopvatting in het werk van de Amerikaanse componist Elliot Carter

Jos de Mul. Het temporele sanatorium. De tijdsopvatting in het werk van de Amerikaanse componist Elliot Carter (2), in: Mens en melodie, jrg. 48 (November-December 1993), 620-624.

Het verlangen naar de overkant. Een autobiografisch-filosofische bespiegeling

Jos de Mul. Het verlangen naar de overkant. Een autobiografisch-filosofische bespiegeling. In: Zeeuws Tijdschrift nr. 3 (1993), 82-85.

Slauerhoff en het romantische verlangen

Jos de Mul. Slauerhoff en het romantische verlangen. In: Preludium. Tijdschrift voor literatuur. Themanummer over het werk van J. Slauerhoff onder redactie van K. Fens en G.J. Kleinrensink, Jrg. 8/9 (1992), nr. 4-I, 59-77.

Grenzen aan de rechtvaardiging

Jos de Mul. Grenzen aan de rechtvaardiging. In: Wijsgerig perspectief op maatschappij en wetenschap, jrg. 33 (1992/93), nr. 2, 30-36.

Dilthey's narrative model of human development. A necessary reconsideration of the philosophical hermeneutics of Heidegger and Gadamer

Jos de Mul. Dilthey's narrative model of human development. A necessary reconsideration of the philosophical hermeneutics of Heidegger and Gadamer. In: Man and World vol. 24 (1991), 409-426.

Vrede en gelatenheid. Over Heidegger, postmodernisme en vredescultuur

Jos de Mul. Vrede en gelatenheid. Over Heidegger, postmodernisme en vredescultuur. In: Duitse Kroniek, themanummer Martin Heidegger 1889-1976, jaargang 41 (1991), nr. 1-4, 26-54.

The development of aesthetic judgement. Analysis of a genetic-structuralist approach

 Jos de Mul. The development of aesthetic judgement. Analysis of a genetic-structuralist approach. In: The Journal of Aesthetic Education, Vol.22 (1988), 55-72.

Grondslagen van de esthetische opvoeding

Jos de Mul. Grondslagen van de esthetische opvoeding. In: Nederlands Tijdschrift voor Opvoeding, Vorming en Onderwijs, Jrg.4 (1988), nr.3, 126-142.

Morele ontwikkeling en ethiekonderwijs

 Jos de Mul en G.L.M. Snik. Morele ontwikkeling en ethiekonderwijs. In: Nederlands Tijdschrift voor Opvoeding, Vorming en Onderwijs, Jrg.3, nr. 3 (1987), 114-128.
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