Bibi van den Berg and Jos de Mul. Remote control. Human autonomy in the age of computer-mediated agency. In: Mireille Hildebrandt and Antoinette Rouvroy (eds.) Autonomic Computing and Transformations of Human Agency. Philosophers of Law meeting Philosophers of Technology. London: Routledge, 2011, 46-63.

Jos de Mul and Bibi van den Berg contend that to a considerable extent, human action has always been ‘remote controlled’ by internal and external factors which are beyond individuals’ control. They argue that it is the reflection on such remote control a posteriori that allows for a ‘reflexive appropriation’ of these factors as our own motivators. The question they thus raise is what difference autonomic computing makes at this point and under what circumstances it will either strengthen or hinder human agency, defined in terms of ‘reflexive appropriation’. 

Jos de Mul. The technological sublime. In: Koert van Mensvoort and Hendrik-Jan Grievink (eds.), Next Nature. Nature Changes Along With Us. Barcelona/New York: Actar, 144-148.

The sublime is an aesthetic concept of ‘the exalted,’ of beauty that is grand and dangerous. Through 17th and 18th century European intellectual tradition, the sublime became intimately associated with nature. Only in the 20^th century, did the technological sublime replace the natural sublime. Have our sense of awe and terror been transferred to factories, war machines, and the unknowable, infinite possibilities suggested by computers and genetic engineering?

Jos de Mul and Renée van de Vall (eds.) Gimme Shelter: Global Discourses in Aesthetics. Proceedings of an international symposium, organized by the Dutch Aesthetic Federation and the International Association of Aesthetics. Amsterdam, October 8-10, 2009. Online publication International Association of Aesthetics.

Jos de Mul, Next Nature and the City. Invited lecture at the conference.“Nature and the City”. Organized by the Laboratory for Research on the City, the Italian Society for Aesthetics, in conjunction with the University of Bologna. Bologna, June 28-30, 2012.

The city, too, is landscape. We can leave it by going into nature exchanging the urban for the rural, but we can also enter the city to live within the architecture and contemplate its forms. Every architectural structure is a landscape and promotes an educational or paedeumatic relationship between the spirit and the environment. Our gaze and our bodies activate a certain way of contemplating that promotes the interchange between the external perception of the physical world and an internal seeing, which is the psychic perception of the visual image. There is a close relationship between the aesthetic experience of the natural environment and that of the urban landscape. In the same way that humankind lives on the earth so, too, it lives in the city.

The theme could be approached from various perspectives such as 'nature/culture', 'city as human nature', 'ecology and the city', symbols and metaphors, domesticated nature, nature interiorized, parks and natural environments, and other related issues.

Conference proposed by Laboratory for Research on the City in collaboration with Sie - Società Italiana d'Estetica – and by IAA - International Association of Aesthetics.

Jos de Mul, The (Bio)technological Sublime. After Hours Conversation lecture. Institute for Advanced Study, Princeton, October 2, 2012.

In our (post)modern world it is no longer the superior forces of nature that calls forth the experience of the sublime, but rather, the superior forces of technology. However, with the transfer of power from divine nature to human technology, the ambiguous experience of the sublime also nests in the latter. In the era of converging technologies – information technology, biotechnology, nanotechnology and the neurosciences – it is technology itself that gains an ungeheuer character in its battle with nature. Without doubt these technologies have increased our power over nature enourmously.

However, this does not mean that we have become gods in the sense that we have gained control over our own destiny. Rather, our relation with nature is changing:

Where technology and nature are traditionally seen as opposed to each other, they now appear to merge or even trade places. While old nature, in the sense of trees, plants, animals, atoms, or climate, is increasingly controlled and governed by man – it is turned into a cultural category –, our technological environment becomes so complex and uncontrollable, that we start to relate to it as a nature of its own.

While technology is an expression of the grandeur of the human intellect, we also increasingly experience it as a force that controls and threatens us. Technologies such as atomic power station and genetic modification, to mention just two paradigmatic examples, are Janus-faced: they reflect, at once, our hope for the benefits they may bring as well as our fear of their uncontrollable, destructive potentials.

At first sight it seems that in these cases technology completely controls and conquers nature. However, in the fast growing domain of the biotechnologies (which will probably become as important in the twenty-first century as the physical sciences were in the twentieth century), we witness a remarkable revenge of nature within technology. After all, technologies like genetic modification and synthetic biology create entities that are no longer passive manipulatable innate elements, but have, and will increasingly have, their ‘own agenda’.

A full version of this lecture will be published in the Spring 2013 issue of the Institute Letter of the IAS.

Tragedy and repetition. XPONIKA AIΣΘHTIKHΣ / Annales d'esthetique / Annals for Aesthetics, Vol.46. Volume B (2011), 191-202.

Abstract  According to writers such as Nietzsche, Steiner, and Oudemans and Lardinois the tragic culture of the Greeks has become entirely alien to us. They argue that within the Christian and modern worldview there is no place for tragedy anymore. In this article it is claimed that this does not entail in any shape or form that tragic events cannot take place anymore within Christian and modern culture. In modern culture this particularly happens, with no lack of tragic irony, precisely in the domain in which we believed tragedy had been eliminated: (our interaction with) technology.

Although technological tragedies differ in many respects from classical tragedies, they also show deep continuities. Just as in the case of their classical models, the behavior of the tragic heroes of our time is characterized by miscalculation (hamartia), blindness (atè) with regard to the tragic reality and foolhardiness (hybris).Now, tragic events do not automatically raise tragic awareness. Tragedies are characterized by the fact that the tragic heroes – unlike the spectators – are unaware of the fate that is befalling them, and coming about because of them. But most tragedies also have a reversal of circumstances (peripéteia), a moment at which hopeful expectation crumbles and the hero suddenly becomes aware of his tragic position. Postmodernity is another way of saying that modern culture recognizes itself as tragic.

Michiel de Lange, Moving Circles: Mobile Technologies and Playful Identities. PhD thesis written in the context of the NWO funded research program Playful Identities. From Narrative to Ludic Identity. Co-supervisiors: Prof.dr. Valerie Frissen (Faculty of Philosophy, Erasmus University Rotterdam) and Prof. dr. Joost Raessens (Faculty of Humanities, University Utrecht). PhF defense: 16-11-2010.

PhD committee:
Prof.dr. J. Jansz (Erasmus School of History, Culture and Communication, Erasmus University Rotterdam)
Prof.dr. J. Katz (Department of Communication, Rutgers University, USA)
Dr. S. Aupers (Centre for Rotterdam Cultural Sociology, Erasmus University Rotterdam)

Complete text dissertation (English)

English summary: Moving Circles: Mobile Technologies and Playful Identities
Mobile media technologies have a tremendous influence on how we communicate with each other, relate to the world, and understand ourselves. Medium specific properties and user practices challenge the idea that the narrative is the privileged mediation of identity. Moving Circles explores how the notion of play sheds new light on the ways mobile media shape identity. This occurs on four levels: we play on the mobile, with the mobile, through the mobile, and we are played by the mobile. Mobile technologies bring new freedom of movement. Yet at the same time they constrict us. In this dialectic we become moving circles.

Jos de Mul. Image without origin. Some remarks on Nietzsche's transcendental metaphor. Xth International Congress of Aesthetics. Montréal, Augustus 19, 1984.

Jos de Mul. Aesthetic Development. A genetic-structuralist approach. Department of Education, Utah University. Salt Lake City, September 18, 1984.

Jos de Mul. Genetic Stucturalism and Conceptual Relativism. XIth International Wittgensteinsymposium te Kirchberg am Wechsel, August 8, 1986.