Breng mij die horizon! Filosofische reisverhalen

Breng mij die horizon! Filosofische reisverhalen

Jos de Mul. Breng me die horizon! Filosofische reisverhalen. Amsterdam: Boom, 2019.  Breng mij die horizon! laat zien wat er gebeurt…

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De domesticatie van het noodlot. De wedergeboorte van de tragedie uit de geest van de technologie

De domesticatie van het noodlot. De wedergeboorte van de tragedie uit de geest van de technologie

Jos de Mul. De domesticatie van het noodlot. De wedergeboorte van de tragedie uit de geest van de technologie. Rotterdam: Lemniscaat,…

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Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology

Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology

Jos de Mul. Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology. State University of New York (SUNY)…

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命运的驯化——悲剧重生于技术精神 内容简介 (Chinese translation of Destiny Domesticated\)

命运的驯化——悲剧重生于技术精神 内容简介 (Chinese translation of Destiny Domesticated\)

Jos de Mul. 命运的驯化——悲剧重生于技术精神 内容简介 (Chinese translation of Destiny Domesticated. The Rebirth of Tragedy Out of the Spirit of Technology). Guilin:…

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Romantic Desire in (Post)Modern Art and Philosophy

Romantic Desire in (Post)Modern Art and Philosophy

Jos de Mul. Romantic Desire in (Post)Modern Art and Philosophy. Albany: State University of New York Press, 1999, 316 p.…

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Het romantische verlangen in (post)moderne kunst en filosofie

Het romantische verlangen in (post)moderne kunst en filosofie

Jos de Mul. Het romantische verlangen in (post)moderne kunst en filosofie. Uitgeverij Klement, 2007 (4de druk), 284 p. 1de druk, 1990; 2de druk, 1991; 3de…

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后)现代艺术与哲学中的浪漫之欲。Chinese translation of Romantic Desire in (Post)Modern Art and Philosophy

后)现代艺术与哲学中的浪漫之欲。Chinese translation of Romantic Desire in (Post)Modern Art and Philosophy

Jos de Mul. 后)现代艺术与哲学中的浪漫之欲。Chinese translation of Romantic Desire in (Post)Modern Art and Philosophy. Wuhan: Wuhan University Press, 2010, 306p. ISBN 978-7-307-08019-5RMB…

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Cyberspace Odyssee

Cyberspace Odyssee

Jos de Mul. Cyberspace Odyssee. Kampen: Klement, 6de druk: 2010, 352 p. 1de druk, 2002; 2de druk, 2003; 3de druk,2004;…

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Cyberspace Odyssey. Towards a Virtual Ontology and Anthropology

Cyberspace Odyssey. Towards a Virtual Ontology and Anthropology

Jos de Mul. Cyberspace Odyssey. Towards a Virtual Ontology and Anthropology. Castle upon Tyne: Cambridge Scholars Publishing, 2010, 334 p. Translation of Cyberspace…

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Siberuzayda macera dolu bir yolculuk. Sanal bir ontoloji ve antropolojiye doğru

Siberuzayda macera dolu bir yolculuk. Sanal bir ontoloji ve antropolojiye doğru

Jos de Mul. Siberuzayda macera dolu bir yolculuk. Sanal bir ontoloji ve antropolojiye doğru. Istanbul: Kitap Yayinevi, 2008, 400 p. Turkish…

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The sovereign debt crisis or Sophie’s choice. On European tragedies, guilt and responsibility

The sovereign debt crisis or Sophie’s choice. On European tragedies, guilt and responsibility

Liesbeth Noordegraaf-Eelens and Jos de Mul, The sovereign debt crisis or Sophie’s choice. On European tragedies, guilt and responsibility. Heinrich…

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Paniek in de Polder. Polytiek in tijden van populisme

Paniek in de Polder. Polytiek in tijden van populisme

Jos de Mul. Paniek in de Polder. Polytiek in tijden van populisme. Rotterdam: Lemniscaat, februari 2017. Uitgebreide en geactualiseerde editie…

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Horizons of Hermeneutics

Horizons of Hermeneutics

Jos de Mul. Horizons of Hermeneutics: Intercultural Hermeneutics in a Globalizing World.  Frontiers of Philosophy in China. Vol. 6, No.…

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The game of life

The game of life

Jos de Mul. The Game of Life: Narrative and Ludic Identity Formation in Computer Games.  In: Lori Way (ed.), Representations of…

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PedoBot® is niet boos, maar wel verdrietig (en soms opgewonden)

PedoBot® is niet boos, maar wel verdrietig (en soms opgewonden)

Jos de Mul. PedoBot® is niet boos, maar wel verdrietig (en soms opgewonden). Over intelligente robots, emoties en sociale interactie.…

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Kunstmatig van nature. Onderweg naar Homo sapiens 3.0

Kunstmatig van nature. Onderweg naar Homo sapiens 3.0

Jos de Mul, Kunstmatig van nature. Onderweg naar Homo sapiens 3.0.  Rotterdam: Lemiscaat: 2016. ISBN 978 90 477 0925 1…

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2017-11-25 (Trouw) Hoe ik bijna boeddhist werd

2017-11-25 (Trouw) Hoe ik bijna boeddhist werd

Jos de Mul. Hoe ik bijna boeddhist werd. Trouw. Bijlage Letter en Geest, 25 november 2017, 14-18. Het gastenverblijf van…

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The Tragedy of Finitude. Dilthey's Hermeneutics of Life

The Tragedy of Finitude. Dilthey's Hermeneutics of Life

Jos de Mul. The Tragedy of Finitude. Dilthey's Hermeneutics of Life. New Haven: Yale University Press, 2010 (second edition - eBook), 424…

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Wittgenstein 2.0. Philosophical reading and writing after the mediatic turn

Wittgenstein 2.0. Philosophical reading and writing after the mediatic turn

Jos de Mul. Wittgenstein 2.0: Philosophical reading and writing after the mediatic turn. In: A. Pichler & H. Hrachovec (eds.) Wittgenstein and…

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Plessner's Philosophical Anthropology. Perspectives and Prospects

Plessner's Philosophical Anthropology. Perspectives and Prospects

Jos de Mul. ( ed.), Plessner's Philosophical Anthropology. Perspectives and Prospects. Amsterdam/Chicago: Amsterdam University Press/Chicago University Press, 2014. Helmut Plessner (1892–1985)…

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2016-08-20 (Vrij Nederland) In Japan heeft Erica een ziel

2016-08-20 (Vrij Nederland) In Japan heeft Erica een ziel

Jos de Mul. In Japan heeft Erica een ziel. Vrij Nederland, 20 augustus 2016, 41-45. Kansai Science City doet op…

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Outside of a dog, a book is man's best friend. Inside of a dog it's too dark to read.

Outside of a dog, a book is man's best friend. Inside of a dog it's too dark to read.

Marxism according to Groucho     "Outside of a dog, a book is man's best friend. Inside of a dog…

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Noble versus Dawkins. DNA Is not the program of the concert of life.

Noble versus Dawkins. DNA Is not the program of the concert of life.

Jos de Mul. Noble versus Dawkins. DNA Is not the program of the concert of life. Translation of Dutch review, published…

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The game of life. Narrative and ludic identity formation in computer games

The game of life. Narrative and ludic identity formation in computer games

Jos de Mul. The game of life. Narrative and ludic identity formation in computer games. In: J. Goldstein and J. Raessens,Handbook…

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序言 约斯·德·穆尔 In: Zha Changping. World Relational Aesthetics. A History of Ideas in Pioneering Contemporary Chinese Art

序言 约斯·德·穆尔 In: Zha Changping. World Relational Aesthetics. A History of Ideas in Pioneering Contemporary Chinese Art

序言 约斯·德·穆尔. In: Zha Changping. World Relational Aesthetics. A History of Ideas in Pioneering Contemporary Chinese Art. Volume One. Shanghai:…

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The Work of Art in the Age of Digital Recombination

The Work of Art in the Age of Digital Recombination

Jos de Mul. The work of art in the age of digital recombination. In J. Raessens, M. Schäfer, M. v. d.…

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Jos de Mul. The Earth Garden: Going Back or Going Forward to Nature? Frontiers of Philosophy in China. Vol.12 (2017) 2: 237-248.

Abstract Against the background of a short meditation on the contrasting ways in which landscape has been represented and idealized in Eastern and Western painting traditions, the article will try to show, using some striking examples, that the development of landscape painting in the last two centuries reflects the changing relationship of humanity and nature, leading in both the East and in the West to either the expression of a nostalgic longing for nature to be back as it once was, or to a gloomy expression of the vanishing of nature amidst the modern, technological world. Connecting to both the concept of “harmony,” which is a key concept in Eastern aesthetics, and to some recent reflections in Western philosophy on the relationship of nature and technology, a post-nostalgic conception of nature and natural beauty is defended, in which nature and technology are no longer seen as opposing categories, but rather as poles that are intertwined in an ever-lasting process of co-evolution. It is argued that we should not so much strive to go “back to nature,” but rather to go “forward to nature” and establish a new harmony between human and non-human nature and technology. The article ends with some reflections on the role artists and aestheticians may play in this transformation.

Keywords environmental pollution, environmental aesthetics, philosophy of nature, comparative aesthetics, philosophy of technology

Jos de Mul. Turkish Delight. In: Ayşen Savaş & Sevin Osmay (eds.), Jale Erzen Testimonial. Middle East  Technical University (METU) Press, 2017, 146-152.

Of all the times I met with Jale Erzen over the last couple of decades, our meeting in May 2002 was perhaps the most memorable. Jale had invited me to take part in the 6th International Symposium of SANART about Art and Social Engagement, held at the Middle East Technical University (METU). The Symposium took place shortly after 9/11, a time when many heated discussions were held in Turkey, just as in other countries, about the political Islam, the role of religion in society, and the separation of church and state, and in Ankara the tension was running high between the Kemalists and the politicians inspired by the Islam.  

Following the conference, I went on a short trip with Jale and about ten other philosophers, from five different continents, to the east of Turkey, which was planned by Jale. We flew to Diyarbakir and then travelled on by bus and later by jeep through the northern part of the virtual state of Kurdistan. It was a memorable trip because of several reasons. In the first place because of the awe-inspiring endless bleak mountains around us, in which the only humans living there seem to be goatherds herding their flocks in search of the last remnants of vegetation. It was difficult to imagine a bigger contrast with the polders in Zeeland where I grew up.  The impression the vast and rugged landscape made on me was intensified by the realisation that we were surrounded by thousands of years of history. This vast region situated 'between the rivers', the Euphrates and the Tigris, used to be called Mesopotamia in ancient times and was full of fig-, olive-, walnut- and pomegranate trees, vines and oleander bushes. According to tradition here was once the Biblical Garden of Eden.

Gepubliceerd in: Book chapters
Jos de Mul. Preface. In: Zha Changping. World Relational Aesthetics. A History of Ideas in Pioneering Contemporary Chinese Art. Volume One. Shanghai: Sanlian, 2017, xiv-xvi, xvii-xx.

In 2006, as part of a lecture tour through China, which brought me to cities as different as Urumqi and Shanghai, I also participated in a conference of the International Association of Aesthetics in Chengdu. It was on this occasion that I met Zha Changping for the first time. I was introduced to him by a common friend of us, the Shanghai-based historian Chen Xin. During my stay in Chengdu, Changping and I had several conversations, and I especially remember one hot evening in June, whenwe, together with museum sculptor Zhu Cheng and my wife Gerry, were sitting on a terrace near the Fu river, discussing the state of contemporary art, religion and politics in China and Europe, meanwhile enjoying the delicious Sichuan food and cool beers and watching the joyful play of the little children on the terrace. It was a wonderful evening, to which my memories often return.

Since that first meeting more than ten years have passed, in which Changping and I kept in touch. I followed his publications (unfortunately only being able to read the English ones, as I am not able to read Chinese) and was impressed by his productivity andthe broad scope of his publications, ranging from art criticism and art history – such as the very informative Up-On Chengdu, Somatic Aesthetics and Scene Connection (2013) - to studies in the logic of history, Japanese history, New Testament studies, and a series of translations. What moreover impressed me was his profound familiarity with Western art theories and the creative way he applied them within a Chinese context. Changping proved to be all-round humanities scholar with an inspiring intercultural approach.

Gepubliceerd in: Book chapters
zondag, 15 oktober 2017 17:12

Human nature after Neo-Darwinism

Jos de Mul. Human nature after Neo-Darwinism. in: Eidos .A Journal for Philosophy of Culture.Special issue: Is the Category of Human Nature Still Relevant? Vol 1 (2017), 1: 5-17. 

 

Abstract

In the course of the 20th century the so-called Modern Synthesis of Neo-Darwinism has become the dominant paradigm in modern biology. First, it is explained how and why Darwin’s broad definition of evolution, in which the environment plays an important role, was narrowed down by Neo-Darwinism to a radical gene-centric view.  Next, the paradigm shift taking place today in ‘postgenomic’ evolutionary biology and genetics is discussed. It is argued that this shift opens the way to a more humane conception of evolution, more in line with Darwin’s view. Finally, I will discuss some of the implications of this paradigm shift for human self-reflection, taking The Music of Life. Biology Beyond Genes of systems biologist Denis Noble as a starting point.


Keywords

Neo-Darwinism, Dennis Noble, gene-centrism, postgenomics, agency, human self-reflection

Jos de Mul. Ontzaglijke kunst. Over het natuurlijke en technologisch sublieme. Studium Generale Art, Nature & Technology.  AKV|St.Joost in Den Bosch, 30 september 2016.

English summary.

Every once in a while we experience something extraordinary. Such ‘awesome’ experiences might happen in our research, when we unexpectedly discover something really amazing, or when we come across a magnificent landscape, hear a piece of music that really moves us, or when we fall deeply in love. Traditionally these kinds of extraordinary experiences are called “sublime”. In the following I will present some reflections on one particular kind of sublimity: the technological sublime.

I will develop my  argument in three parts. First I will point out the meaning and history of the concept of the sublime. Next, I will argue that in de twentieth century, the sublime has transformed from a natural to a technological category. In the third and last part I will defend the thesis that in the age of biotechnologies the technological sublime becomes a natural category again, which leaves us with some uncanny questions.

Gepubliceerd in: Lectures
Jos de Mul. From Yijing to Hypermedia: Some Notes on Computer-mediated Literary Theory and Criticism. In: Peng Feng (ed.), Aesthetics and Contemporary Art. International Yearbook of Aesthetics. Volume 16. Beijing University: 2016, 114-125.

The development and global dissemination of computers - from the mainframe computers in the middle of the 20th century up to the smart phones that enable us to be online everywhere at any time - has an enormous impact on virtually every domain in human life, including art and literature. In the past decades, we have witnessed the emergence of different kinds of new media, that – among many other things – also have given birth to new art forms and genres, such as computer animations, hypertext, and interactive netart. All these new (that is: computer-mediated) media can be called “hypermedia”, because they share two fundamental characteristics: they are media that are both multimedial and non-linear.

In this contribution I will discuss the impact of hypermedia on literary theory and criticism. More particularly, the question I will focus on in my lecture is: how to write about hypermedia? In what ways do hypermedia affect literary theory and literary criticism. However, when writing about hypermedia, literature can only be a point of departure of our examination. After all, hypermedia are media that absorb and thereby re-mediate the other “old media”, literature included.[1] And this, as I will argue, also applies to literary theory and literary criticism, which at least partly is going to be transformed into hypermedial criticism.

Gepubliceerd in: Book chapters
Geert Maarse. Panic in the Polder. Interview with Jos de Mul. Erasmus Today, March 28, 2017.

Panic in the Polder or how the Netherlands can survive populism. Days before the Dutch elections professor Jos de Mul spoke on Erasmus Studio, presenting his book ‘Paniek in de polder’ (Panic in the Polder) in which he analyses the so called fight between ‘the people’ and ‘the elites’. He also explains the popularity of Donald Trump and Geert Wilders among populist voters. The question is: who are these populists? And is our democracy in crisis?

Gepubliceerd in: Online publications
Jos de Mul. “Leben erfaßt hier Leben”.  Dilthey as a philosopher of (the) life (sciences). Invited lecture in the series Die Frage nach dem Menschen und seinem Selbstverständnis in den Wissenschaften. Graduate School for the Humanities. Universität Köln. June 27, 2017.
Gepubliceerd in: Lectures
Jos de Mul. Database Identity. Invited lecture at the Herrenhausen conference Society through the Lens of the Digital. Hannover, May 31-June 2, 2017.

New information and communication technologies are changing the very nature of human identity. In my talk, I will argue that they facilitate a change from narrative to a database identity. Narrative identity is what has traditionally defined people. A narrative identity can be complex, multilayered and dynamic, but it is strung out over a spatio-temporal continuum and has a certain logic and coherence through time. It forms a tissue of stories that makes a person, defining who she is. This narrative identity is being giving way, increasingly, to a database identity. With a database identity a person’s experience, qualities and characteristics all become entries in a database. These can be called up, assembled and re-assembled in never-ending set of combinations. Database identity is a post-modernization of identity. It is a playful pastiche of qualities and characteristics, decoupled from their context of origin and from their role in a person’s history.

Gepubliceerd in: Lectures
donderdag, 09 maart 2017 14:14

2016-12-20 (Amsterdam) Wat is Dada?

Jos de Mul. Wat is Data? Virtuele lezing op de Eerste Nederlandse Datafestatie. Amsterdam, 20 december 2016.

datum: 20 december
tijd: 18.00 – 20.00 uur
RSVP: Dit e-mailadres wordt beveiligd tegen spambots. JavaScript dient ingeschakeld te zijn om het te bekijken.

Het verschijnen van de beeldcultuurkrant ‘Van Dada naar Data’ wordt gevierd met de eerste Nederlandse Datafestatie, op 20 december in Felix Meritis te Amsterdam. Het evenement biedt een vrolijk podium aan dataïsten van uiteenlopend allooi – kunstenaars, wetenschappers, robots, reclamemakers, filosofen, bloggers – in een bonte mengeling van muziek, talkshow, hagepreek en bewegend behang.

Honderd jaar geleden ontstond Dada, de non-beweging die zich in een tijdperk van grote spanningen verzette tegen nationalisme en burgerlijkheid in kunst en samenleving. De komst van nieuwe technologie heeft er toe bijgedragen dat we opnieuw een periode van onbestendigheid beleven. Een zee van ‘big data’ vraagt om nieuwe verbindingen en het opgeven van oude zekerheden. Fuseert de mens met de systemen? Blijft zij de belangrijkste soort op aarde? Hebben traditionele politieke opvattingen en kunstdisciplines nog iets bij te dragen aan de komende omwenteling?

De eerste Datafestatie geeft voorlopig nog het woord, en het beeld, aan makers en denkers met een eigen stijl, een eigen taal en autonome ideeën waarmee ze zich verhouden tot de netwerken om zich heen. Ze tonen de verbindingen en de clashes, de orde en de chaos, het komische en het tragische van de nieuwe wereld waarin alles data is, en data alles.

Met medewerking van onder anderen: Sebastian Olma, Janneke Stegeman, Roel Roscam Abbing & Dennis de Bel, Elize de Mul, Erik Bindervoet, Oscar Jan Hoogland, Theo van Doesburg, Ruben Pater, Geert Lovink, Stefan Schafer, Antoinette Hoes, Ramin Bahari, Jonas Lund, Czeslaw de Wijs, Ruben Jacobs, Urland, Rosa Menkman, Teyosh, Nadine Roestenburg, Michael Mandiberg, Aynouk Tan. Volg voor de virtuele bijdrage van Jos de Mul de volgende link: Wat is Data? (and for the English version:  What is Data?).

De Datafestatie is een project van MOTI, Museum of the Image, Felix Meritis, Avans Hogeschool, ’t Barre Land en The Image Society en werd mede mogelijk gemaakt door de Gemeente Breda, het Stimuleringsfonds Creatieve Industrie en de Bankgiro Loterij.

Idee en productie: Mieke Gerritzen, Ward Janssen, Czeslaw de Wijs, Hans Maarten van den Brink.

Felix Meritis – Keizersgracht 324 Amsterdam
20 december 18.00 – 20.00 uur. Toegang gratis. RSVP: Dit e-mailadres wordt beveiligd tegen spambots. JavaScript dient ingeschakeld te zijn om het te bekijken.

Gepubliceerd in: Lectures
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