Jos de Mul. Robots in de zorg - een reden tot zorg? Wondcongres 2016. Rotterdam, 9 december, 2016.

De afsluiting van het congres is een uitstapje naar een andere wereld. Prof.dr. Jos de Mul, hoogleraar Wijsgerige Antropologie, werkzaam in Rotterdam, zal ons meenemen naar de toekomst van de inzet van robots in de zorg. Wereldwijd geeft hij gastcolleges op internationaal gerenommeerde universiteiten en zijn werk is in meer dan een dozijn talen vertaald. Prof. de Mul schreef won de Socrates prijs met zijn boek Cyberspace Odyssee (6de druk 2010) en publiceerde recent over sociale en affectieve robotica in Kunstmatig van nature. Onderweg naar Homo sapiens 3.0 (2de druk 2016)

Jos de Mul. The Wikipedia Religion: A Sinner’s Account. Invited lecture at the conference Technology and Transcendence. Enschede: University of Twente / NWO, November 18, 2016.

Let me begin with a confession. I’m a sinner, too. According to Michael Gorman, former president of the American Library Association, “A professor who encourages the use of Wikipedia is the intellectual equivalent of a dietician who recommends a steady diet of Big Macs with everything” (quoted in Reagle, 2010b, p. 138). To make my case worse, I not only encourage my students to use Wikipedia, but I’m also guilty of using Wikipedia myself quite frequently. However, I immediately like to add that I hardly ever eat Big Macs, and almost ever read and discuss primary texts and reliable secondary literature with my students.  

So why do I sin? Well, probably the most obvious reason is the overwhelming amount of information to be found on Wikipedia. The English version alone already has reached 5,285,797 articles yesterday, and if we include the number of articles written in the 287 Wikipedia’s in other lanuages, the number exceeds 40 million. Moreover, no other encyclopedia is so up to date (the fact that I know that the English version of Wikipedia reached exactly 5,285,797  million yesterday, was because the Wikipedia lemma on Wikipedia has been updated three days ago). No wonder that I’m not the only sinner: as of February 2014, Wikipedia has 18 billion page views and nearly 500 million unique visitors each month! A second reason I love Wikipedia is the free-access and free-content character of this encyclopedia, offering – worldwide - millions of people, many of them deprived of books and libraries, a wealth of information, knowledge, and sometimes even wisdom.

It seems that Wikipedia even has a divine ring. It promises to provide us with an omniscience that once was attributed to God. Together with technologies like telepresence and virtual reality – which express the human desire to obtain two other divine qualities: omnipresence and omnipotence – Wikipedia promises to guide us right through “the pearly gates of cyberspace”.

Jos de Mul. Homo Sapiens 3.0 Artificiële intelligentie.Gent, 9 november 2016.

Jos de Mul. Games as the true organon of philosophy. On Schelling, Huizinga, and playful ontologies. Keynote at the 10th International Philosophy of Games Conference. Malta, November 2, 2016.

This year’s edition focuses on the theme of Knowledge. Games inspire curiosity – as we explore and experiment with a game, our engagement is to a great degree shaped by epistemic processes of inquiry and discovery. What knowledge is learned through playing a game? What does it mean to know a game? We invite papers tackling questions related to epistemology, knowing how versus knowing that, embodied knowledge, normative knowledge of rules, ecological knowledge and affordances, cybernetics, systems theory and knowledge. For more detailed information, jump to http://pocg2016.institutedigitalgames.com/keynotes/

Jos de Mul. Over nieuwe relaties tussen mensen en robots. Conferentie Empowered by robots. Dutch Design Week 2016. Eindhoven, 25 oktober 2016.

Hoe maken robots in de toekomst ons werk leuker en zinvoller?

Onder de titel Empowered by Robots organiseert wethouder Staf Depla(Gemeente Eindhoven) in samenwerking met Jos Verhoeven (de Start Foundation) en ontwerper Koert van Mensvoort (Next Nature Network) een prikkelende conferentie waarin reikhalzend wordt uitgekeken naar de komst van robots. Welke banen kunnen we met de inzet van robots (her)ontwerpen? Welke kansen biedt dit voor mensen op zoek naar werk of juist voor degenen met geringe kansen op de arbeidsmarkt?

We verwelkomen o.a. Arno Stienen (Motekforce Link, professor Northwestern University, in Chicago) , Jos de Mul (filosoof Erasmus Universiteit Rotterdam) Saskia Nijs (onderzoeker VU, columnist FD en medewerker Philips) en ontwerper Govert Flint presenteren hun visies op gerobotiseerde arbeid.

Tevens lanceert Koert van Mensvoort (Next Nature Network) tijdens deze conferentie een ontwerpwedstrijd waarin ontwerpers en technici worden uitgedaagd om ideeën te geven over de banen van de toekomst voor mens en robot.

Koop uw ticket hier.

Uw ticket voor deze conferentie is tevens een passe-partout voor de Dutch Design Week 2016 (22- 30 oktober). Bij het tonen van uw ticket bij deeventbalie in het Klokgebouw ontvangt u een polsbandje dat u toegang geeft tot alle locaties van de DDW

Jos de Mul. Ontzaglijke kunst. Over het natuurlijke en technologisch sublieme. Studium Generale Art, Nature & Technology.  AKV|St.Joost in Den Bosch, 30 september 2016.

English summary.

Every once in a while we experience something extraordinary. Such ‘awesome’ experiences might happen in our research, when we unexpectedly discover something really amazing, or when we come across a magnificent landscape, hear a piece of music that really moves us, or when we fall deeply in love. Traditionally these kinds of extraordinary experiences are called “sublime”. In the following I will present some reflections on one particular kind of sublimity: the technological sublime.

I will develop my  argument in three parts. First I will point out the meaning and history of the concept of the sublime. Next, I will argue that in de twentieth century, the sublime has transformed from a natural to a technological category. In the third and last part I will defend the thesis that in the age of biotechnologies the technological sublime becomes a natural category again, which leaves us with some uncanny questions.

Jos de Mul. In Japan heeft Erica een ziel. Vrij Nederland, 20 augustus 2016, 41-45.

Kansai Science City doet op het eerste gezicht eerder aan de Verenigde Staten denken dan aan Japan. Waar Kyoto voor een groot deel bestaat uit smalle straatjes, volgebouwd met kleine huizen met minuscule tuintjes, waarin zelfs de bonsai boompjes het niet breed hebben, daar is dit enorme, tussen Kyoto, Osaka en Nara gelegen science park een grotendeels open vlakte, doorkruist door brede autowegen. Daaraan liggen, om de paar honderd meter, kolossale gebouwen, die de researchafdelingen huisvesten van zo’n 250 Japanse onderzoeksinstituten, universiteiten en multinationale bedrijven als Panasonic.

Bepaald on-Amerikaans daarentegen zijn de comfortabele fietspaden. Ik heb de veertig kilometer, die mijn appartement in het Noorden van Kyoto van Kansai Science City scheidt, fietsend langs de Katsura en Yodo rivier overbrugd op weg naar de Hiroshi Ishiguro Laboratories, gehuisvest in het Advanced Telecommunications Research Institute International (ATR). Bij het schrijven van mijn boek Kunstmatig van nature. Onderweg naar Homo sapiens 3.0 raakte ik gefascineerd door de Japanse voorkeur voor androïden, robots die bedrieglijk echt op mensen lijken. Met name de regio Kyoto-Osaka staat hierom bekend en ik maak van mijn verblijf als gasthoogleraar in Kyoto gebruik om me op de hoogte te stellen van de laatste ontwikkelingen.

Jos de Mul. Meeting Erica and OSCAR. On almost living bodies, new media aesthetics, and the East-West divide. Invited lecture at the 20th In ternational Congress of Aesthetics. Seoul, July 26, 2016.

It is often noticed that the attitude towards robots and artificial intelligences in Western culture differs strongly from the attitude in Asia. Whereas in the Western world android robots are under taboo, Asian scientists and artists seem to be fond of  robots that mimic human appearance and behavior. It has been claimed that the differences in attitude towards android robots are connected with differences in worldview and religion. Whereas Asian, interconnected  cultures do not sharply distinguish between human subjects and natural objects, in Western, separative cultures a sharp distinction is being made between active subjects and passive objects. Moreover, in the Christian tradition the creation of living things is traditionally considered to be a taboo (‘Thou shall not play God!’). Although the notion of the ‘uncanny valley’ (the unpleasant feeling evoked by robots or other entities that closely resemble living human beings, such as corpses and zombies was introduced by the Japanese robot specialist Masahiro Mori,  at first sight it seems more applicable to the Western attitude towards android robots than to the Asian attitude.  Taking some prominent European and Asian new media artworks in which artificial life and robots play a prominent role as a starting point, I will focus on the question whether these stereotypes are still valid in contemporary, globalized intercultures.

Jos de Mul. Cognitive space, global brains, and the hive mind An evolutionary account of information and communication technologies. Invited lecture at Ritsumeikan University, Kyoto. July 22, 2016.

The emergence of information and communications technologies (ICTs) can be regarded as a milestone in the cognitive evolution of mankind, comparable to the two other major transitions of the cognitive structure of the genus Homo: the development of spoken language, and the invention of writing. In order to fully understand the new cognitive space disclosed by recent information and communication technologies, we have to situate it against the background of these two earlier transitions. It will be argued that new technologies like the internet, wireless communication and brain implants are part of an ongoing construction of a global brain and the emergence of a hive mind. 

Jos de Mul is the 2016  Visiting Professor at the Ritsumeikan University Kyoto. In the Spring Semeseter 2016 he will teach the course Destiny Domesticated. On Greek and Japanese tragedies.

Jos de Mul. The Turing Test in recent science fiction films. A philosophical analysis against the background of the Turing-Wittgenstein Debate. Invited lecture. Kyoto: Hiroshi Ishiguro Laboratories, June 21, 2016.

The British mathematician, computer scientist and philosopher Alan Turing (1912 -1954) is not only the inventor of the programmable computer, but also one of the pioneers of artificial intelligence. He also invented the imitation game, a test of a machine’s ability to exhibit intelligent behavior equivalent to, or indistinguishable from, that of a human. This so-called Turing test plays a prominent role in several recent science fiction movies, such as Her (2013), Ex machina(2015), and Uncanny (2015). Against the background of the Turing-Wittgenstein debate on the possibility of thinking machines (1938), I will discuss what these movies tell us about the present prospects with regard to humanoid AI and robot systems.

Hiroshi Ishiguro Laboratories were founded to encourage and promote studies based on original and unique ideas from Hiroshi Ishiguro, ATR Fellow, who has remarkable achievements on robotics. We have explored new information media based on humanlike robots that harmonize humans with information-environment beyond existing personal computers, while inquiring the question "what is the essence of human beings?"

Erica is an android developed as a research platform for the autonomous conversational robot. We are developing total technology to enable Erica to have natural interaction with persons by integrating various technologies such as voice recognition, human tracking, and natural motion generation. It has nineteen degrees of freedom for face, neck, shoulder, and waist, and can express various facial expressions and some gestural motions. Its appearance is designed for beautiful and neutral female face, by which people can familiarly interact with it. It speaks in synthesized voice. 

Watch movie  Read the article in the International New York Times